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27 January 2012

From stage sets to barriques. The unique wines “designed” by Cristina - Corriere della Sera

(...) “The first steps saw interpreters not of local grapes but of international varieties: merlot, pinot noir, chardonnay, semillon. With the terroir to make them unique, different from those produced elsewhere, and this obligatory choice, here as much an oxymoron as it is intriguing, will prove propaedeutic for the current evolution of Cantrina wines. Over the years Nepomuceno, the company's most awarded and best known product, will see rebo and marzemino grapes appear alongside merlot, playing more on elegance than on power. In the Rinè, the only great white, the Rhine Riesling, which is at home here, will take over from the Chardonnay and the Rosanoire, born under the banner of Libero Esercizio di Stile - the small, in-quantity experiments summarising the winery's philosophy - will become a fixed proposal, exploiting the long experience accumulated with Pinot Noir. The creativity, the game, does not stop, however: the micro-winemaking, no more than a thousand bottles at a time, continues, always dressed with labels specially designed, needless to say by whom.” (...)

The designer lady - The Day

posted on 17 April 2005
The Cantrina winery is a dream, shattered by tragedy, reborn in hope. Thanks to the strength and tenacity of Cristina Inganni, from interior decorator to wine expert. That beautiful old mansion overlooking the hills of the Valtènesi, surrounded by greenery, just a stone's throw from the old village and the 18th-century church, had appealed to Dario Dattoli, a Calabrian all-star, a revolutionary entrepreneur in the city's restaurant industry. It was a return to the land for him, there was a great passion for the vine, which has ancient history there. It was love. A love paid with his life, on a sad morning under the tractor, between the rows of vines, personally spreading pesticides despite working at the restaurant until late at night. A love bequeathed to Cristina together with the estate in the hamlet of Cantrina di Bedizzole. They had been together for a few years, married for one. And she? Away from Brescia, away from work, Dario's dream must continue. Dattoli had founded the Cantrina estate in ’90, in ’98 without him Cristina became one of the women of wine in the province of Brescia. And art?

A good glass in Bedizzole - Orobie

posted on 12 April 2005
Cantrina: this is not a misprint, it is spelt just like that with an 'r'; it is the name of a hamlet of Bedizzole which, as chance would have it, was once famous precisely for its wine cellars. A pleasant place on the morainic hills sloping down towards Lake Garda, whose beneficial influences can be enjoyed right up here. The Cantrina winery was founded in 1990 thanks to Dario Dattoli, an enterprising character in the Brescian restaurant industry, owner of several establishments in the city, who literally fell in love with wine and decided to produce it himself with the help of his partner Cristina Inganni, who on the other hand graduated from the Brera Academy of Fine Arts. Supported by the advice of internationally renowned experts, Dattoli planted different varieties of vines, the most suitable for the type of climate and soil, on a total area of around six hectares until 1998. After Dattoli's untimely death in an accident, it was Cristina Inganni who continued along this path, assisted by Diego Lavo, an agricultural expert and wine expert, as well as an experienced mountaineer.

Cantrina di Bedizzole in the front row at the debutante ball at Vinitaly - Giornale di Brescia

posted on 9 April 2005
(...) He made us taste a wine called Eretico on the day of the Pope's funeral, but any less than pious intention must be firmly denied. Eretico adheres to the rules of oenology and is a Pinot Noir passito produced as a trial in that incredible year for heat and drought that was 2003. The experiment is intriguing and the result even more so. To be tried again. Proposing the Eretico wine is the Cantrina winery, which is making its debut at Vinitaly in a new, aggressive, communicative guise. The product, for those who could find Cantrina di Bedizzole, was already there. Cristina Inganni gloats about her new role and the new attention, which took the form of interested business contacts at Vinitaly. (...)
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